
The Dark Knight is closest to reality it would seem every tale-bit joked away as far as how we're originally brought to look up to the superhero in Batman. It was, shall we say, the other side or beyond what may have often been our imagination of a superfluous character.
Most watchers could be felt initially unready toward the unexpected twist of Batman's conflict with heroism. As opposed to the previous, he had very little control over his most hideous enemy (the Joker) to account for the considerable losses. His saving act barely touched several victims in dire need of rescue.
What's really extraordinary about the Joker that Batman appeared to be insufficient for most part this time was that even with Joker not keeping permanent company, sabotaging his followers and claiming to have not schemed his actions, the seed of destruction he planted sprouted everywhere. Nobody anticipated such resonance with an unclear motive, even Batman himself needed another hero to figure it out from which to determine his resolve. It was such a turning point for Batman, being worked by circumstances to push his bounds beyond what's necessary.
Batman's pursuit of Joker emerged in a whole new different approach. On the outside, it was much less suave, given how very inconsiderate the rough times were at Rachel's irrevocable choice, losing her physically when the conscious 'knight' couldn't be around (fighting himself back) as such and held it that way until he could have sent the enemy over to the brink when instead, he chose to overcome himself again and not gave in. No matter how easily he could, he merely found himself declining judgment. Compassion reigned him over despite the Joker's very unworthiness that was plain to see. Because he made it more evident that money was unwanted and nothing could further inflict him, Batman sought the way to him on a different light and remained settled to combat complications with simple means (extremely sacrificial and selfless).
The film has preserved Batman by way of martyrdom (notwithstanding the rest that had marred the status of his impeccability as a hero). It was a scenario of a hero who bore the unbearable, with a subtle irony of having no applauding audience at times he worked at striking the very root of evil. Additionally, he had to deal with accepting how dark he could get at the sight of suspecting victims (the innocuous public) as long as the worse case went.

